Peale’s son Raphaelle spent time in Savannah, also executing portraits, often in miniature. During his career, Peale created numerous portrait miniatures of other Georgians, including George Walton, a Georgia signer of the Declaration of Independence. Peale’s portrait of Crawford (1818), housed at the High Museum of Art in Atlanta, was intended for Peale’s museum in Philadelphia, Pennsylvania. secretary of the treasury when he agreed to sit for his own portrait, executed by renowned American entrepreneur and painter Charles Willson Peale, who was working in Washington, D.C. William Harris Crawford was serving as U.S. In Georgia, the English-born John Abbot became prominent, through publications, for his watercolors of local birds and insects.Īs individual Georgians became involved in national and international politics, they also became patrons for artists or sat for portraits. Today the portrait is housed at Telfair Museums in Savannah. 1772), who was a president of the Georgia General Assembly and an acting governor during the colonial era, may have been painted in Savannah. Born in Switzerland, Jeremiah Theüs painted in Charleston and for several decades was an important artist in the South. A few settled in one town for their careers, while others became itinerant artists, traveling to find new patrons. During the eighteenth century, however, some artists found patrons in communities along the southern seacoast, especially in Charleston, South Carolina, and Savannah. His work records the buildings at the New Ebenezer settlement in colonial Georgia, as well as the nearby flora and fauna, and the Creek and Yuchi Indians.īecause of its plantation economy, fewer artists migrated to the colonies of the American South than to those of the Northeast there were simply fewer towns in the South, and they were more distant from one other. Philip Georg Friedrich von Reck’s watercolors and pencil sketches from the 1730s, now in the Royal Library in Copenhagen, Denmark, are among the earliest works of art about Georgia. One of the most noticeable facts about early American painting, especially of the colonial era in Georgia, is that very little exists. The history of painting in and of Georgia-with the civilizing importance of portraiture, the role of sublime landscape images, the significance of scientific naturalism and realism, and the advent of poetics and emotion at the center of art-mirrors the history of painting throughout the United States during the eighteenth and nineteenth centuries. Whether Georgia-born artists, immigrants, temporary residents, or tourists, many painters in the state fashioned important contributions to the history of American art. American painters of the nineteenth century often favored naturalism and Romanticism over older neoclassical styles and subject matter. The cultural significance of art in the early years of the nation grew as the country began to mature, evolve, and define itself. American painters of the eighteenth and nineteenth centuries utilized, and evolved from, European examples and traditions.
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